Journal of Archaeological Studies

Research Paper

Parthian History and Syriac Sources by Looking at the Impact of National Iranian Historical Traditions on Syriac Resources

Narges Asadpur; Kamaleddin Niknami

Volume 13, Issue 4 , September 2022, Pages 1-20

https://doi.org/10.22059/jarcs.2019.289750.142782

Abstract

We are justlfied in our study of Iran’s historical period by the invisible and clear vestiges of the mysterious Parthian empire, which has piqued the interest of a lot of ... Read More

Research Paper

Explanation and Analysis of Bronze Pottery Making in Khorassan Case Study: Shahrak-e Firouze Site in the Neyshabur Plain

Hassan Basafa

Volume 13, Issue 4 , September 2022, Pages 21-37

https://doi.org/10.22059/jarcs.2021.296601.142842

Abstract

The study of pottery production and organization in the Bronze Age helps us to know the cultural and technical characteristics. Knowing this issue is done by relying on production ... Read More The study of pottery production and organization in the Bronze Age helps us to know the cultural and technical characteristics. Knowing this issue is done by relying on production technology and recognizing the traditions used in pottery production, as well as by examining the possibility of exchange or trade and internal and external regional actions. Accordingly, it is necessary to know about the explanation and analysis of the Bronze Age pottery-making in the prehistoric settlement, especially in the Bronze Age. In Khorasan, we don’t have enough archaeological pieces of information about the Bronze Age and this area consists of many plains such as Neyshabur plain that this plain is one of the most important. The location and suitable environment of Neyshabur plain are the most important reasons for the development of human societies. The basis of this research is the construction of furnaces, production techniques, topology, and distribution of pottery pieces, which have been obtained during the 5 seasons of Shahrak-e Firouze archaeological excavations. Based on this, the process of producing pottery has been done outside the residential zone and has been formed centrally, such as large-scale industrial centers on the outskirts or adjacent to the settlement. Their production technology has also been selected and designed with the aim of mass production. The forms are simple and varied and are dated in a comparative approach in the Middle and Late Bronze Ages, while in their development, the influences of the Bactria Margiana Archaeological complex (Oxus Civilization) are seen as the most important known culture of Central Asia in the Bronze Age. The similarities between the pottery traditions and, in a way, the specialized pottery production organization between the Neyshabour plain and Central Asia show similar traditions on a trans-regional scale. The results of this study show that the pottery making of Neyshabour in the Bronze Age has been associated with Central Asia more than the interior of the Iranian plate.

Research Paper

The Typology of Rusa II’s Seal Impressions on the Urartian Bullae of Bastam

Maryam Dara

Volume 13, Issue 4 , September 2022, Pages 39-70

https://doi.org/10.22059/jarcs.2021.325316.143025

Abstract

Urartiand ruled over the shores of Urmia, Van and Sevan Lakes in from about 9th to 7th centuries B.C.E. Bullae are among the smallest but most significant pieces of information they ... Read More

Research Paper

Identifying the Cultural Sequence of Marivan Plain; Based on Archaeological Field Survey

Morteza Zamani Dadaneh; Sirvan Mohammadi Ghasrian; Amir Saed Mucheshi

Volume 13, Issue 4 , September 2022, Pages 71-96

https://doi.org/10.22059/jarcs.2022.279507.142704

Abstract

In recent years, an increasing number of archaeological investigations have produced new evidence for the prehistoric development (both in chronology and settlement patterns) in the ... Read More In recent years, an increasing number of archaeological investigations have produced new evidence for the prehistoric development (both in chronology and settlement patterns) in the westernmost provinces of Iran. Prior to the commencement of the MPAP an earlier survey in the Marivan region had been carried out by the Department of Archaeology at Bu Ali Sina University in Hamadan (Iran). Research focused on the Paleolithic and Neolithic periods and, unfortunately, evidence from the Chalcolithic periods is yet to be published. The Marivan Plain Survey Project, by Morteza Zamani Dadaneh from the University of Kurdistan, Kurdish Studies Institute, conducted a first season of systematic survey for four weeks in the summer of 2018. The goal of MPAP is to reassess previous survey work in the region. Archaeological project of Marivan plain in 2018 resulted in identifying 60 sites from Neolithic to more recent time. Among identified sites: 1 site dating back to PPN Neolithic, 14 site to chalcolithic period (early, middle and late), 2 site to Bronze Age probably, 11 site to Iron Age, 28 site to historic (Parthian) period and 12 site to Islamic era. Regarding the settlement pattern of prehistoric sites (Neolithic and chalcolithic period), it become clear that all prehistoric sites distributed in the northern and southern shore of Zeribar lake. Most probably such pattern influenced from Zeribar sea level and access to the fertilized agricultural lands in this area in Neolithic and chalcolithic times. But the distribution pattern of historic and Islamic sites is somewhat different from prehistoric pattern and is similar to pattern of nowadays residential areas. Current and historic/Islamic residential area placed close to permanent water sources in the narrow valleys surrounded the Zeribar lake. Of course, part of the Marivan Plain is located in the east of the current Marivan City, which is far from Zarivar Lake, and dispersed settlements in this section formed on the edge of the main river, one of the branches of the Garan River

Research Paper

The Analysis of Settlement Patterns of Iron Age in Piranshahr Plain Relying on Geographic Information System (GIS)

Obaidollah Sorkhabi; reza rezaloo; KARIM HAJIZADEH

Volume 13, Issue 4 , September 2022, Pages 97-115

https://doi.org/10.22059/jarcs.2021.257545.142564

Abstract

Interpretation of human’s old behaviors in the past and paying attention to complex and interactive processes between humans and the environment to be understood in terms of their ... Read More Interpretation of human’s old behaviors in the past and paying attention to complex and interactive processes between humans and the environment to be understood in terms of their dependence on the components of the natural and ecological environment is the center of modern archaeology’s attention. Archaeological surveys and analysis of settlement patterns are considered well-known methods in archaeology to help identify these interactive processes.With the studies of the Archaeological Board of the University of Pennsylvania on Hasanlu Hill and the Sandus Plain, the southern basin of Lake Urmia became one of the most important archaeological sites and a basis for chronology in northwestern Iran. Meanwhile, Piranshahr plain on one hand due to its proximity toHasanlu area in the north and Rabat area in the south and on the other hand due to the neighborhood of this area with great powers such as Assyria, Urartu and Mana in the first half of the first millennium BC, Is one of the important areas in terms of archaeological studies of the Iron Age in northwestern Iran. This study examined the Piranshahr plain, assuming that the Iron Age settlements of the Piranshahr plain follow a specific settlement pattern. In this research, using field and library studies and geographical analysis models, a methodical and appropriate interpretation of the distribution of Iron Age areas and the first millennium BCPiranshahr plain was presented. Studies have shown that the Iron Age settlements in the region are most affected by two geographical factors, altitude from sea surface and access to rivers, and this has led to the creation of linear networks in the course of rivers resulting to a suitable choice of height relating to the plain. It was also found that the Iron Age settlements of this plain, following the shape of the roughness and natural geography of the region in the first half of the first millennium BC, by creating a specific settlement hierarchy, tended to form an independent local political unit. The existence of this political unit in modern Assyrian writings as Xubuskie could be identified.

Research Paper

Restoration of Folk Murals of Shia’s Religion in Iran: The Influences of the Expectations of their Public Audiences and the Preference of the Values of these Paintings on the Process of Reconstruction

reihaneh ghasemabadi; Hossein Ahmadi

Volume 13, Issue 4 , September 2022, Pages 117-140

https://doi.org/10.22059/jarcs.2021.308101.142915

Abstract

Murals of Shia’s history from the late Safavid period and its culmination from the Qajar period onwards as the historical religious culture of the public in religious historical ... Read More Murals of Shia’s history from the late Safavid period and its culmination from the Qajar period onwards as the historical religious culture of the public in religious historical sites to this day by continuity of use, cause the emergence of a special attitude to the outstanding features of these paintings and the expectations of their general audience in the restoration. The majority of the murals of such buildings were based on Shiite religion traditions. Overall, the combination of a number of factors namely the significance of the values that have made a connection with the target audience of the heritages in use and the focus on their perception in the last decades, led to this study to pursue this goal to investigate the effects of the characteristics of folk-art paintings in Iran and the needs of their audiences, on their perception of the narrative during the reconstruction. This research has been done due to the development of value-based approaches in the restoration’s contemporary theory at the international level and the importance of the sociological issue of audiences, and the lack of academic research in this field in Iran. This article used purposeful and semi-structured interview techniques with 13 experts and library studies in a qualitative method and performed the analysis with the Colaizzi phenomenological approach by categorizing the interviews. The findings led to the achievement of 6 auxiliary categories and 11 subcategories, that auxiliary categories as factors affecting the reconstruction of the loss of religious-narrative folk murals based on value preference and the expectations of their general audience are:1)the place of special values of folk-art paintings of Shia’s history, 2)factors affecting the perception of public audiences 3)factors affecting the mental retelling of public audiences 4)definition of target audiences(stakeholders),5)the expectations of the public audience from reading the images of historical-religious narratives, and 6)the expectations of the public audience from the restoration and reconstruction of the paintings;

Research Paper

A Typology of Genre of Luristan Ware, Based on New Archaeological Survays in Luristan

Alireza goudarzi

Volume 13, Issue 4 , September 2022, Pages 141-160

https://doi.org/10.22059/jarcs.2019.282333.142723

Abstract

The genre of Luristan ware, which was first emerged in the early first millennium BC, was distributed in the Pish-Koh region. The typology of this ware was not clear because of the ... Read More

Research Paper

Recognition of Sassanid Takht-i-Nishin (Throne Room) in the Middle of Ardeshir Khorra City; A Proposition of a Temple of Anahita and Fire Chartaqi in the Continuation of Previous Traditions

Hamed Mohammadpour; Elham ANDAROODI; Mohammad Hasan Talebian

Volume 13, Issue 4 , September 2022, Pages 161-187

https://doi.org/10.22059/jarcs.2020.282253.142722

Abstract

In the middle of the city of Ardeshir Khoreh (the city of Gur), there is a rectangular tower, a circular structures, as well as a fort and a circular moat, which are considered to be ... Read More In the middle of the city of Ardeshir Khoreh (the city of Gur), there is a rectangular tower, a circular structures, as well as a fort and a circular moat, which are considered to be the most prominent structures of this city; But in the northeastern part of the city of Ardeshir Khoreh, a place called "Takht-i-Nishin" (throne room) remains in the form of a platform of heavy dressed stone and a hollow or pit in the form of a reservoir, which has been studied by different scholars from the early centuries of Islam until now. However, there are still differing views on this complex; For example, the four-arched structure located on a flat platform is called by the names of Atashgah, Qasr, Tarbal, Atashkadeh, Dekan, Atashkhaneh, Kooshak, Irankiakhareh, Ivan, Dekeh, Irangardeh, palace, mansion, tower, house, and ziggurat. In addition, the reservoir next to the platform is also called Cheshmeh, Ghadir, Hoz Ab (water pool), AbAnbar (water reservoir) and Abnama (fountain). Therefore, attributing various names to this complex indicates the ambiguity in the nature of the constructions. The demolition the complex’s most buildings and the coverage of its remains bu rubbles over time, has caused less attention to this building in various documents and sources. Therefore, by interpreting the different views that exist around the structures of this building, this study aims to recognize the function of the Takht-i-Nishin complex, how the spaces are related and why it was built in the middle of the city of Ardeshir Khoreh. In order to achieve this goal, the interpretive-historical method have been used and library resources such as archaeological reports and historical documents were studied. Also, more accurate and up-to-date information was obtained through field visits and surveys, which paved the way for research. Then, by physical and spatial analysis of similar buildings such as the Anahita temple in Bishapour, a comparative comparison of the combination of four arched structure or Chartaqi and the water basin in the middle of Ardeshir Khoreh city has been conducted. As a result, the research findings show that the building on the platform is in the form of a cruciform hall with a four arched pattern and is located in an adjacent bed overlooking the man-made pond in the middle of the city of Ardeshir Khoreh. According to Ibn Balkhi, and the remains of debris visible on the ground, there was probably a similar quadrangle in front of the second basin or behind the available one. Hence, these Chartaqi, as a continuous fireplace connected to the water basin, have created a structure that shows a common pattern in the formation of Sassanid period religious collections related to water and sacred fire. The findings indicate that it can be a place of worship for the goddess Anahita in a ritual complex by being located next to the holy water pool and fire place

Research Paper

Introduction and Analysis of the Architecture of the Tomb of Sultan Ibrahim Reza in Darmian City and Reading the Relics of its Historical Writings

Ali asqar Mahmoodinasab; Seyyed rasool Mousavi Haji; abed taghavi

Volume 13, Issue 4 , September 2022, Pages 189-213

https://doi.org/10.22059/jarcs.2021.280274.142706

Abstract

The study of Islamic Period buildings in Iran proves the presence of countless religious and non-religious tombs that are scattered in most parts of this border and region. As one of ... Read More

Research Paper

Notes on the Sasanian Alabaster Disc in the Cleveland Museum of Art

Parasto Masjedi Khak; Mostafa Khazaie Kouhpar

Volume 13, Issue 4 , September 2022, Pages 215-232

https://doi.org/10.22059/jarcs.2021.280949.142715

Abstract

Among the Sassanid artifacts is a disc at the Cleveland Museum of Art. There is no information about person engraved on the disk, just in the Cleveland Museum's recorded information, ... Read More Among the Sassanid artifacts is a disc at the Cleveland Museum of Art. There is no information about person engraved on the disk, just in the Cleveland Museum's recorded information, and idea of Dorothy Shepard, this hunter man is Ardeshir II of Sasanian Dynasty. Due to the unusual form and uniqueness of disc among the Tape Hesar Bronze Age culture works, and despite the fact that the motif and subject engraved on it are characteristic of the art of the Sassanid period; But with the help of archaeological data, interesting information can be provided. The objectives of this study are to understand the person engraved on this marble disk In this study, In addition, the authors try to evaluate the origin of the marble disk based on archaeological findings so that they can speculate about the geographical area production of this object and determine whether this work is the production of the area from which it was found. Or was it produced elsewhere in the realm of the Sassanid kingdom? the authors have shown similar examples of disks from the prehistoric period and have shown that the construction site of this object in North and Northeastern Iran is in sites that contain both Bronze Age cemetery and the Sassanid period remains. And the original disk belongs to the Bronze Age and the culture of Hesar / Gorgan, examples of which have been found in the tombs of this period. Also, considering the form and decoration of the crown engraved on this disc and its comparison with the crown of Ardeshir II in the Taq-e Bostan and the plate of Ardeshir II recovered from the Mes Aynak site in Afghanistan, it seems that Ardeshir II could not be the king engraved on this disk. The depicted person on this plate is probably one of the Sassanid princes who ruled the Northern region or one of the local dynasties kings; during early Islam of the region, dynasties that remained faithful to the Sassanid traditions for several centuries. However, we will need more information from archaeological or incidental findings to reinforce these ideas or change it.

Research Paper

Recognition of the Great Khorasan Road in the North of Markazi Province

majid montazer zohouri; esmail sharahi

Volume 13, Issue 4 , September 2022, Pages 233-260

https://doi.org/10.22059/jarcs.2020.286724.142763

Abstract

Undoubtedly, the Great Khorasan Road, known as the Silk Road, has been one of the most important trade routes during the historical periods of Iran. In a comprehensive perspective this ... Read More

Research Paper

Analysis of the Animal Motifs on the Bronze Pins Belong to The 3rdMillennium B.C in the Halil Roud Basin (Case Study)

Fahimeh Mousavi; Behzad Balmaki; Mohammad reza Saeedi

Volume 13, Issue 4 , September 2022, Pages 261-282

https://doi.org/10.22059/jarcs.2019.286038.142758

Abstract

The Halil roud Basin is one of the known ancient sites of the 3rd millennium BC in southeastern Iran. From this basin, following archaeological studies in 2001, more than 300 archaeological ... Read More The Halil roud Basin is one of the known ancient sites of the 3rd millennium BC in southeastern Iran. From this basin, following archaeological studies in 2001, more than 300 archaeological sites during prehistoric to Islamic periods have been identified. The most important relics of this civilization belong to the 3rd millennium BC, which is comparable to the historical relics of the Mesopotamian, Elamite, Central Asian and the Indus Valley civilizations. The main issue of this research is to identify the civilization of Halil roud by studying the symbolic motifs of objects in the form of bar pins that have been identified from all over the Halilroud basin and are kept in the Harandi Museum in Kerman. These objects are 155 pieces of pins, which are a group of simple rods without patterns and 24 of them have a pin head decorated with animal, plant and geometric patterns. The purpose of this study is to introduce and recognize 3 pieces of the above-mentioned pins, which have been selected and studied due to the role the confrontation animals. The role of animals in these pins has been described descriptively-analytically and the themes of these three objects as cultural and artistic findings of Halil roud basin in a comparative study with the themes of the showing areas of the 3rdmillennium BC in southeastern Iran, the Mesopotamian and Central Asian civilization have been evaluated. From the perspective of studying the history of art, by collecting information in a field method, including observing these works in the museum, photography, design, and typology of the motifs, Technique and style of shapes, a comparative study of these motifs has been done. In addition to the field method, these analyzes have been completed using written documents and sources, as a result of the pin and as a result of examining these pins, it was found that the shape of the pins with the body shape of animals such as mountain goats standing on their front legs and symbolically feeding the tree, eagles with raised wings, snakes with open mouths and It is performed in an aggressive manner and the lions sitting in front of each other in a completely symmetrical manner and this state of their symmetry with each other induces their confrontation. Thus, these motifs have been categorized and evaluated in terms of animal confrontation, content and possibly mythological features.Considering the observation and comparison of these motifs, it can be acknowledged that these objects show the influence of the insight and awareness of the creators of these works and the systematic human interaction with the environment and common culture in the past. Which is created through the beliefs, beliefs and aesthetic sense of the producing artist and the similarity of these designs to the animals of other ancient sites shows the common nature of these areas and the cultural influence of artists on each other in creating works of art.

Research Paper

Archaeology of Qara Dagh: Preliminary Report of the Survey of the Bronze and Iron Age Sites in Varzeqan Region (Iranian Azerbaijan)

Hossein Naseri Someeh; Alireza Hejebri Nobari; Erkan Konyar

Volume 13, Issue 4 , September 2022, Pages 283-306

https://doi.org/10.22059/jarcs.2019.284880.142749

Abstract

Archaeological studies in the region of Qara Dagh (or Arasbaran) are of particular importance due to the fact that this region is located in the area between East-West (Iranian) Azerbaijan ... Read More Archaeological studies in the region of Qara Dagh (or Arasbaran) are of particular importance due to the fact that this region is located in the area between East-West (Iranian) Azerbaijan and Iran-Anatolian Plateau, as well as north to south of Caucasus-Iran. Archaeological activities in Qara Dagh are often aimed at conducting systematic research to explain the socio-political situations, investigate the cultural-technological currents and changes, explore the connecting and commercial routes of Northern region of Azerbaijan during the Bronze and Iron ages, outline the long-term scientific landscape, and also to understand the archaeological status of the region, relying on field and laboratory methods. The first season of this project, in 2017, dealt with identification of the Bronze and Iron Age sites of Varzeqan city. During the present survey, have been recorded 143 sites from the early Bronze Age to the Iron Age III in the region; and from the most important results of this survey, the changes recorded during the transitions from each period to the next period in relation to demographic changes, settlement patterns and location selecting, evaluating the landscape and natural resources in order to be aware of food networks and economic systems, studying the ecology of the region, livelihood approaches and burial methods can be mentioned. According to this evidence, settlements have been very limited in the region during the early Bronze Age. With the collapse of semi-farmer communities in the early Bronze Age, nomadic life was limitedly formed in the middle of the Bronze Age. In the late of Middle Bronze Age, once again, with the formation of sedentary communities, an increase in the population of the region and the emergence of social complexities are seen during the late Bronze Age to the Iron Age II, followed by the establishment of a primitive class society which was formed under the administration of local small rulers

Research Paper

Chronology and Functional Analysis of the Site Known as Qale-e Sam in the Historical Province of Masbazan (Ilam Province)

Younes Yousefvand; Farshad Miri

Volume 13, Issue 4 , September 2022, Pages 307-330

https://doi.org/10.22059/jarcs.2019.288249.142774

Abstract

Qaleh Sam is located in Holeylan district in Sirvan/Shirvan County in the northeast of Ilam province. This monument is one of the worthy Iranian architecture in the central Zagros cultural ... Read More Qaleh Sam is located in Holeylan district in Sirvan/Shirvan County in the northeast of Ilam province. This monument is one of the worthy Iranian architecture in the central Zagros cultural zone. Despite its importance, this monument is unknown until now. Qaleh Sam is located in Si’pelah canyon on the border of Lorestan and Ilam provinces. In Si’pelah, in addition to Qaleh Sam, remains some of the other buildings such as: a bridge, some military installations, a Char Taq, a water mill, and two ruined sites. The distribution pattern of these monuments in Si’pelah Canyon shows that they are related to Qaleh Sam, and they could be interpreted together. As the focal point of formation for the architetural complex in Si’pelah canyon the Qale Sam has archaeological and architectural values. The main structure of this monument consists of a residential building with a focal char tag in down and a fortress on top. Nevertheless, it has been neglected by researchers and its historical and functional nature remains unclear. The purpose of this paper is the introduction the Qale Sam by relying on archaeological findings and existing architectural evidence and evaluating and analyzing functional identity and its chronology. The research approach is historical and findings have been collected through field methods and the study of library texts. The study of archaeological and architectural findings of Qale Sam along with the study of its geographic location and the analysis of the spatial organization of all works in Si’pelah canyon show that Qaleh Sam has been a security residency of a high-grade person. The analysis of these monument in the regional context indicated that it has been built based on political and security objectives in a mountainous situation, with the creation of several military structures around it. Architectural elements, scattered pottery on surface, and stucco decorations used in the building show that Qale Sam was constructed in the late Sassanid period and the early Islamic centuries.

Volume 16 (2024)

Volume 15 (2023)

Volume 14 (2022)

Volume 13 (2021)

Volume 12 (2020)

Volume 11 (2019)

Volume 10 (2018)

Volume 9 (2017)

Volume 8 (2016)

Volume 7 (2015)

Volume 6 (2014)

Volume 5 (2013)

Volume 4 (2012)

Volume 3 (2011)

Volume 1 (2009)

Volume & Issue: Volume 13, Issue 4 - Serial Number 28, September 2022, Pages 1-340

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