Naram-Sin’s Divinity: a re-examination
Naram-Sin’s Divinity: a re-examination

Hossein Badamchi; Tavakoli Tavakoli

Articles in Press, Accepted Manuscript, Available Online from 17 August 2024

https://doi.org/10.22059/jarcs.2024.379595.143280

Abstract
  Divine kingship is a form of claiming legitimacy in the Ancient Near East. The ruler in this format, goes beyond claiming divine representation or decent and direclty introdcues himself ...  Read More
Human Figure proportionality in the Iranian Achaemenid and Egyptian Arts
Human Figure proportionality in the Iranian Achaemenid and Egyptian Arts

Rahim velayati

Volume 9, Issue 2 , April 2018, , Pages 211-227

https://doi.org/10.22059/jarcs.2018.225885.142384

Abstract
  Achaemenid art is royal Courtly art which has been influenced by subordinate nations arts. The different nations like Mesopotamian, Egyptian and Anatolian. As it is clear that Achaemenid ...  Read More
The Origin of Snake Motifs in the Material Culture of Southeastern Iran During Third Millennium B.C: Some Evidences for Making Relationship With Elam and Mesopotamia
The Origin of Snake Motifs in the Material Culture of Southeastern Iran During Third Millennium B.C: Some Evidences for Making Relationship With Elam and Mesopotamia
Volume 7, Issue 2 , December 2016, , Pages 131-145

https://doi.org/10.22059/jarcs.2015.57752

Abstract
  The interactions between southeastern sites of Iranian plateau and western sites in Susa and Mesopotamia in the third millennium B.C is one of the most controversial aspects of the ...  Read More
A Typological Study of “Standing God on the Animals”
Motif from the Ancient Civilizations of Mesopotamia and Asia Minor
(Hittites, Sumer, Babylon and Assyria)
A Typological Study of “Standing God on the Animals” Motif from the Ancient Civilizations of Mesopotamia and Asia Minor (Hittites, Sumer, Babylon and Assyria)

Saeed Ahmadi Oliaei; Mohamad Azamzadeh

Volume 8, Issue 1 , April 2016, , Pages 1-19

https://doi.org/10.22059/jarcs.2016.59486

Abstract
  This paper discusses the adaptive typology of the motif “the standing god over the animal” in ancient arts of Mesopotamia and Asia Minor. The focus of attention is on Hittite ...  Read More
Critical Analysis of Theories on the Origin of Ayvan
Critical Analysis of Theories on the Origin of Ayvan

Abbas Rezaei Nia; Hayedeh Laleh

Volume 6, Issue 2 , March 2015, , Pages 59-71

https://doi.org/10.22059/jarcs.2015.54173

Abstract
  As the achievement and an invaluable index of the Iranian culture, Ayvan (known also as Eyvan) has been the subject of many pieces of research by architects, archaeologists and art ...  Read More