Author = MohammadReza Saeedi Harsini
Number of Articles: 3
Analysis of the Animal Motifs on the Bronze Pins Belong to The 3rdMillennium B.C in the Halil Roud Basin (Case Study)

Analysis of the Animal Motifs on the Bronze Pins Belong to The 3rdMillennium B.C in the Halil Roud Basin (Case Study)

Volume 13, Issue 4, Summer 2022, Pages 261-282

https://doi.org/10.22059/jarcs.2019.286038.142758

Fahimeh Mousavi, Behzad Balmaki, Mohammad reza Saeedi

Abstract The Halil roud Basin is one of the known ancient sites of the 3rd millennium BC in southeastern Iran. From this basin, following archaeological studies in 2001, more than 300 archaeological sites during prehistoric to Islamic periods have been identified. The most important relics of this civilization belong to the 3rd millennium BC, which is comparable to the historical relics of the Mesopotamian, Elamite, Central Asian and the Indus Valley civilizations. The main issue of this research is to identify the civilization of Halil roud by studying the symbolic motifs of objects in the form of bar pins that have been identified from all over the Halilroud basin and are kept in the Harandi Museum in Kerman. These objects are 155 pieces of pins, which are a group of simple rods without patterns and 24 of them have a pin head decorated with animal, plant and geometric patterns. The purpose of this study is to introduce and recognize 3 pieces of the above-mentioned pins, which have been selected and studied due to the role the confrontation animals. The role of animals in these pins has been described descriptively-analytically and the themes of these three objects as cultural and artistic findings of Halil roud basin in a comparative study with the themes of the showing areas of the 3rdmillennium BC in southeastern Iran, the Mesopotamian and Central Asian civilization have been evaluated. From the perspective of studying the history of art, by collecting information in a field method, including observing these works in the museum, photography, design, and typology of the motifs, Technique and style of shapes, a comparative study of these motifs has been done. In addition to the field method, these analyzes have been completed using written documents and sources, as a result of the pin and as a result of examining these pins, it was found that the shape of the pins with the body shape of animals such as mountain goats standing on their front legs and symbolically feeding the tree, eagles with raised wings, snakes with open mouths and It is performed in an aggressive manner and the lions sitting in front of each other in a completely symmetrical manner and this state of their symmetry with each other induces their confrontation. Thus, these motifs have been categorized and evaluated in terms of animal confrontation, content and possibly mythological features.Considering the observation and comparison of these motifs, it can be acknowledged that these objects show the influence of the insight and awareness of the creators of these works and the systematic human interaction with the environment and common culture in the past. Which is created through the beliefs, beliefs and aesthetic sense of the producing artist and the similarity of these designs to the animals of other ancient sites shows the common nature of these areas and the cultural influence of artists on each other in creating works of art.

A Preliminary Report on the Petrographic Analysis of Bakun A Potteries of Fars Province

A Preliminary Report on the Petrographic Analysis of Bakun A Potteries of Fars Province

Volume 11, Issue 1, May 2019, Pages 217-232

https://doi.org/10.22059/jarcs.2019.71115

Maryam Maani, MohammadReza Saeedi Harsini, ahmad chaychi

Abstract The Fars Region, as an internal watershed with several permanent rivers and waste water streams especially Kor and Sivand Rivers, had created many types of settlements. For this reason, many studies have been performed on this region during Bakun period. New findings of this research include a set of pottery pieces and other archaeological findings such as clay stump and tokens which were unearthed from 62 areas of Fars Region. Among these traces, 44 types of pottery pieces which were obtained from 15 sites of” Bakun A “era along with 5 pieces of pottery which were obtained from the excavations performed by Longsdourf and McCown & Smith in 1932 and 1937, respectively. From Pasargad Pottery Bank some pottery sherds were selected for performing petrographical studies. The most significant finding of these experiments suggested a similar composition and consequently origin of all samples from the under study region.

An Analytical Approach to the Study of Chalcolithic Data from
the Harsin Plain

An Analytical Approach to the Study of Chalcolithic Data from the Harsin Plain

Volume 9, Issue 1, August 2017, Pages 133-149

https://doi.org/10.22059/jarcs.2017.64009

Abstract One of the main goals of Harsin archaeological survey in the Gamasiab River Basin has been to understand the cultural relations of the basin with the adjacent plains and areas during the Chalcolithic period. For which, during a survey season a total of 23 Chalcolithic sites were identified. The existence of different pottery remains from early to late Chalcolithic in the area indicated various settlements distributed across the plain which can be regarded to have had suitable condition for human occupation migrated from western Mahidasht during the 5th to 3rd millennium B.C. Moreover the eastern Basin of Gamasiab River in the Central Zagros Area itself has formerly been in use by the ancient societies due to its special natural and geographical features such as high mountains, flat plains and irrigated valleys. This paper attempts to investigate the cultural changes of Harsin area during 2500 years of cultural process by introducing and analyzing the archaeological data of Harsin plain in the chalcolithic period.