Khalil Ollah Beik Mohammadi; Ardeshir Javanmardzadeh; reza rezaloo; Behrooz Afkhami
Abstract
The eastern side of Central Zagros is one of the most important areas in the Neolithic development, which has remained unknown in terms of its common cultural tradition as requires ...
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The eastern side of Central Zagros is one of the most important areas in the Neolithic development, which has remained unknown in terms of its common cultural tradition as requires more in detail studies. Among these unknowns, “Malayer Plain” is associated with the effects of the “Late Neolithic” period Traditions. In terms of role and color, this is a part of the 6th Millennium B.C., which due to the evolution of Pottery-making can be distinguished from the earlier periods. One of the most important pottery traditions is Sarab-Style, which is a pivot point to the recognition of the Late Neolithic of Central Zagros. This type of pottery has been identified along the eastern boundaries of Central Zagros on Malayer plain. This cultural region is considered as a blind spot of Neolithic studies due to the lack of question-oriented studies. The present research is based on the of Trench I & II excavation of the Tappeh Posht-e Forodgah studying the presence of Late Neolithic tradition on the Malayer plain, answering the question: What are the common Neolithic cultures of the Malayer Plain and by which common Late Neolithic cultural traditions of the Central Zagros has affected? In order to analyze the stratigraphy of the settlements formed at the Tappeh Posht-e Forodgah, a complete view of the Neolithic sequence on the eastern boundaries of Central Zagros, an excavation of the Posht-e Forodgah Site was carried out. How that two traditions of pottery or domestic or non-domestic potteries were common in this region simultanously; Eventually, the impact of the Late Neolithic period and common cultural traditions of Kermanshah plain (Segabi, Syahbid and Sarab) and Lurestan (Qelagap) on the Malayer Plain have been attested.
