gholam reza rahmani; Ahmad Chaychi Amirkhiz; Mohammad Mokari
Abstract
There are few Wall Paintings remained from the Parthian and Sassanid era in Iran.These limited examples play a major role in the development of the study and our knowledge on pre-Islamic ...
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There are few Wall Paintings remained from the Parthian and Sassanid era in Iran.These limited examples play a major role in the development of the study and our knowledge on pre-Islamic Iranian painting. The present paper examined two of these remains, one a Parthian Wall Painting in Kuh-e Khwaje in Sistan and the other a unique sample of early Sasanians Wall Painting in Firuzabad, Fars province, dating back to two different times in two different sites, they reveal evident similarities in the style. Also considering the vast painted surfaces in both sites and the characteristic specifications of the sites, one can see the high artistic capabilities applied for painting them.Althoughboth paintings demonstrate the application of different methods, they are well adapted with the host structure in functional conception, in a strong harmony with the echo system of the site and acknowledging the cultural diversity of the creating civilization.Studying these wall paintings in terms of subject and style shows the Sasanian Painting despite of the influences of Hellenistic art, also has been affected by Parthian painting style from east of Iran.